Big venue or loud stage this mic will definitely cut through the . Through a multi-disciplinary partnership from research to development, Essential partnered with Shure to help establish user experience principles and a design language for their wireless and wired microphone . On the other hand, condenser mics are less sonically limited than dynamics, and can deliver a lot of detail and clarity. But for the money, youll get a classy, crystal-clear sound with heaps of dynamic detail. Internal shock mount and capsule stabilization mean minimal handling noise. The Dummies Guide explanation is that the passive rear diaphragm acts as the first element of the acoustic labyrinth network, and provides significant compliance at low frequencies. Popular comparisons. In essence, this system guides sound of different frequencies to the rear of the capsule through three or four separate entry ports spaced along the length of the mic body, each incorporating frequency-selective damping. In addition to diminishing unwanted movement, the moving piston and internal cavities have been precisely engineered to stabilize the diaphragm amidst mechanical vibration. i recently bought neumann kms105 shure ksm8 and shure ksm 9 hs.. i am very satisfied from all as a better sound choice i choose neumann kms105 but for very very hard and dificult situations i mean bad places bad speaker place very easy to get feedback from mics i choose the ksm 9 hs on hypercardioid The KSM8 microphone is available in a black or brushed-nickel finish. The kms105 is super clean, clear . I think the Shure is a little brighter in character, whereas the Sennheiser is a bit more pronounced in the low-mids. 3:06 Shure KSM9 Only For a condenser, different polar patterns are achieved by changing the backplate voltage, shifting the capacitance, etc., - these manipulations are essentially . With state-of-the-art manufacturing from superior components, each KSM8 Dualdyne is meticulously crafted and tested to uphold the quality standards of world-class Shure construction even in the most demanding live environments. Great write up. The science behind the Braunmhl-Weber capsule is a little complex, but if you want the full story with all the maths, Shure have produced a detailed white paper on the science and practical effects of the dual-diaphragm capsule, which can be found here: The switchable polar pattern means its versatile, and can easily adapt to your situation. SM86 is Shure's best compromise. Shure's KSM9 is a stage condenser in a traditional handheld form factor. This is wider than most handheld dynamic mics, and is one of the main perks of using a condenser mic. As a premium vocal microphone, the KSM9 captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility and precise vocal reproduction for . Follow us. But for noisy stage environments, a supercardioid pattern does a better job of rejecting noise from monitors and other instruments. As a premium mic, the KSM9 is certainly pricey. This means theyre prone to overload and distortion from louder singers. My contacts at Shure were reticent to consider creating a competing product for the venerable SM58 and the newer Beta 58A. Sweetwater Sound, 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 Get Directions | Phone Hours | Store Hours, If you have any questions, please call us at (800) 222-4700. Every single component is new this is no evolution from previous Unidyne capsules: it came quite literally from a clean sheet of paper and a lot of innovative thinking! As mics go, Shures SM series are about as reliable and predictable as it gets, and so we were expecting a similar sound and behaviour from the KSM8. Where the magic happens! Shure has taken dynamic microphone technology and performance to a groundbreaking new level with the development of the premium KSM8 Dualdyne. Loud rock/metal bands will probably prefer the resilience of a good dynamic mic. In this blog post, we will discuss the comparison between Neumann kms 105 vs Shure KSM9, which one is best for you and why should you buy it. Just commenting again on the visuals for a moment, the KSM8 is a very elegant and classy-looking mic indeed, and if I didnt know better Id assume from its shape and styling that it was a capacitor mic rather than a moving-coil design. and if so what are your opinions. The BLX88 is the two-channel version of the BLX4. A dynamic cardioid version of the KSM9, using the same dual-diaphragm technology. A strong presence peak centered around 4 to 5 kHz is used to counteract the increased bass. The Shure engineers originally patented this technology over 50 years ago, and Shure is the only microphone manufacturer to successfully implement it. The overall off-axis response is very smooth, and although the pick-up pattern is at the broader end of cardioid, theres pretty good rear rejection, particularly noticeable in the midrange frequencies. 71 user ratings. ksm9 hs surprising on no feedback. All rights reserved. Then connect the output of the phantom supply soundcard. Its priced for pro users, but the KSM8 is a beauty of a mic that ditches the all-rounder status in favour of vocal live performance and reinforcement duties. These are the vibrations in the sub bass range that youll feel more than hear. Shure1 launch cloud_download BLX B/SHURE B/ PSM300 B (806810MHz . See giveaway details & rules or check out our past winners! On vocals and speech, although the level changes, you get very similar frequency response from a couple of inches up to about a foot. In the meantime, I want to focus first on the development of Shures remarkable new microphone. The higher range gets some gentle boost, resulting in more transparency andhelping to cut through more easily. We joined PA in 2018, becoming part of one of the world's most capable networks of researchers, strategists, designers, engineers, and scientists. Available colors: User rating: 71. BLX4 and BLX88 systems are throw-it-in-your-backpack wireless mic systems with portable receivers, great for getting around quickly. These marks may be registered in other jurisdictions. Cardioid is more natural but may need a louder vocal to combat feedback. Condenser mics are a great choice for stage use as long as they have been designed specifically for live use. For example, AKG developed their D200 range of two-way or dual-capsule microphones in the late 1960s. It has a warm sound that is perfect for female vocals or mellow tracks. It also helps to counteract the proximity effect. This labyrinth is designed to delay sound from the rear, and is critical in achieving a directional polar pattern. The KSM9 has a dual-diaphragm design that provides accurate sound reproduction, and it also features a built-in shock mount to reduce noise and vibration. For a vocal dynamic mic, this is expensive. Achieving the sound quality demanded by elite performers and venues no longer requires sacrificing the rugged reliability of a dynamic microphone. Taking its inspiration from Shure's classic Unidyne III capsule (that's the one used in the SM57, SM58 and others), this newly developed capsule aims to reduce the proximity effect, improve off-axis frequency response and rejection, and deliver . The "C" version is the best of the 87 lot for female vocals in my experience and I think the KSM9 is a huge improvement over it. Beginning with a simple and sturdy design (and in a handsome matte black), the KSM8 Dualdyne is the world's first dual diaphragm dynamic vocal microphone, a design that eliminates the emcee mic-cupping . Best mics for budget filmmaking and video production, 7 Best Headworn Mics for Wireless Systems Review. There is no doubt in my mind that the Shure KSM8 Dualdyne handheld dynamic is a superior microphone for live vocals. Great site. However, if you imagine a noisy gig environment, you can see how you might run into problems with feedback and monitor bleed. Large diaphragm mics tend to be better at capturing low-end, whereas smaller diaphragm microphones do a better job with higher frequencies and transient detail. Ive heard sales reps say that the KSM8 is better than a lot of condensors out there so presumably Im buying quality with the 8 but still lean towards the 9 since I want to get most out of my live sound.. How ever since my genre is pretty heavy what is your experiance with the feedback rejection on louder stages with the KSM9 VS the quality of the KSM8.. Will the difference in sound quality (depending on EQ + sound guy ofc) by noticable between the 8 and 9? At 191 mm (7.5), its slightly longer than the Shure SM58. The unique feature of KSM9 is a switchable pattern (cardioid vs. supercardioid), which gives greaterflexibility for any situation or environment. At the rear of the diaphragm the acoustic combination of these separate signals with altered phases and amplitudes results in an accurate cardioid polar pattern with a greatly reduced proximity effect. 3:26 What We Heard The amount of rear rejection degrades slightly around 6-8 kHz, but not enough to cause any significant issues. Bath The Neumann KMS 105 is a condenser microphone that is designed for studio use. In simple terms, the direct result of that frequency-dependent behaviour is an almost complete removal of the mics proximity effect, as well as a better-controlled polar pattern, giving improved off-axis rejection and reduced off-axis coloration, too. Its one of those things that comes down to personal taste. In fact, for close sources, as the signal frequency reduces, the dual-diaphragm capsule behaves less and less like a directional pressure-gradient device, and more and more like an omnidirectional pressure-operated device. However many singers and sound engineers find themselves needing to upgrade to something a bit more hi-fi. A very similar mic to the KSM9. The "C" version is the best of the 87 lot for female vocals in my experience and I think the KSM9 is a huge improvement over it. At a similar price, therere many comparisons to be made between the 105 and the KSM9. Overall, the KSM8 is excellent for vocals but not quite the allrounder that the SM-series mics are. Building on a technology that Shure first introduced in 1966 with the Unidyne III capsules used in SM57s and SM58s, the KSM8s pneumatic shockmount sits below the Dualdyne capsule to decouple it from the microphone body, thereby minimising low-frequency handling noise. Re: KSM9 vs. Its an effect used by radio presenters to give them very deep voices. At first glance it looks just like any other conventional stage vocal mic there's nothing in its styling that signposts the clever technology within. If you want your live vocals to be closer to your refined studio sound, then this is where a good handheld condenser comes in. 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It is a handheld condenser with a switchable polar pattern between cardioid and supercardioid. Smooth high frequency response without a pronounced presence peak, Advanced internal pneumatic shock mount and the Diaphragm Stabilization System (DSS patent pending) work together to prevent handling noise, True cardioid pattern prevents feedback and provides consistent off-axis response, Hardened, dent resistant grille lined with hydrophobic woven fabric that rejects moisture as well as plosives for years of high quality use, Microphone techniques for live sound reinforcement. Does anyone have any experience with the KSM9? Turn your old gear into new gear with the Sweetwater Gear Exchange! However, even so it is still significantly less expensive than many high-end capacitor stage mics, while it boasts some very useful and unique sonic and pragmatic advantages. Have a question or request? The dual-diaphragm microphone delivers a smoother response throughout the vocal range and is less susceptible to improper microphone handling, requiring less corrective signal processing and resulting in a more natural sound. In effect, the passive diaphragms compliance acts to partially block or impede low frequencies from reaching the rear of the front diaphragm, thus altering the net pressure acting on the active diaphragm in a frequency-dependent way. To prevent dust and moisture ingress, they decided to cover the back of this labyrinth with a second (passive) diaphragm which would still allow sound waves from the rear to pass into the capsules internal labyrinth. We are excited to continue our mission and build the next dynamic design and innovation team that can envision, shape and create new growth platforms for the ambitious. Having used them both extensively with flat EQ no compression and no effects here is my 2cents on these mics. . This mic has a number of features that make the overall experience even more enhancing First of all, is a state of art suspension system for the capsule, which results in reduced handling noise. With seven years of R&D costs to recover and some very advanced engineering, this mic is inevitably expensive in comparison to conventional moving-coil stage mics. Keep in mind, Heil mic is more sensitive, which is both a pro and a con. The balanced response of the dual-diaphragm microphone allows the performer to move more freely without affecting the sound quality. As low as $62/mo. jim martin death couples massage class san diego beaver falls football shure axient combiner. This means that the strength of the sound emitted from the mic is dependent on the force used to push air through the membrane. Another big difference between the two mics is that the KSM8 has no switchable polar pattern its simply a cardioid mic. This provides a clean and transparent sound, while generating a little more heat than other designs. Off-axis frequency response is very smooth. This helps maintain richness and definition in the bass, without it becoming overwhelming. Single vs. Dual-diaphragm frequency response. #3. Taken all together, these attributes should combine to make the KSM8 a joy to work with on stage, minimising the need for aggressive EQ or dynamic manipulation. This mic is highly dynamic and nuanced, making it the perfect mic for intimate folk, jazz or spoken word performances. The results were always stellar and we use the wireless versions of KSM9 on our singers with James Taylor to this day. Inside, the microphone features a Class A, transformerless preamplifier circuit. You can easily make one of these out of stockings, or buy one here. At the low end, a small amount of proximity effect is apparent if the source is closer than about 25mm (one inch), but between 25-75mm (one to three inches) the response is well balanced and very consistent. The only quibble I have is with the price, which at $499 is 5 times the price of the SM58. Shop Shure KSM8 Dualdyne Cardioid Dynamic Vocal Microphone at Sweetwater Shure KSM9 Dual-Pattern Condenser Handheld Vocal Microphone at Sweetwater youre wondering what video gear we use, check it out Mitch Gallagher joins soulful singer Marcus Scott for a side-by-side shootout of Shures KSM8 dynamic mic and KSM9 condenser mic. Being music makers ourselves, we love geeking out on all things gear. The user should not attempt to remove or replace this lining. Traditional microphones confine the performer to a specific distance from the microphone. This pattern is fairly forgiving of mic position and technique, whilst capturing detail. It has a 40 to 16000 Hz frequency response, a 300 output impedance, and a sensitivity of -51.5 dBV/Pa (1.85 mV) at 1 kHz, open circuit. On first listen, the two mics have a similarly clear and transparent sound. Bauers clever Uniphase design omitted the rear diaphragm, but led directly to the iconic Unidyne Model 55 microphone, released in 1939: the worlds first single-capsule cardioid dynamic mic. Thats a tough one. Any artist or singer who has enough money for professional gear could use KSM9. Wed love to hear from you. The KSM9 is Shure's premier live vocal mic and with it's dual diaphragms can be switched between Cardioid and Supercardioid polar pattern modes. Now is the perfect time to get the gear you want with simple, promotional financing. A supercardioid pattern is a little tighter around the mic, picking up sound around 57 degrees each side of the mic. In my experience the KSM8 is a more hi-fi-sounding mic. Spitfire Audio Hans Zimmer Collection. Well, at 429, this mic doesnt come cheap. Not much help for the marginal types, though. They must maintain this distance in order to avoid variations in tone. The head of the mic is 49 mm (1.9) and it weighs in at about 300g (10.6oz). 0:00 Intro To bring in more of the room sound, and the instruments around you, hold the mic 10 cm or more away from your mouth. Obviously, handheld dynamic mics are nothing new, and neither are microphones with dual diaphragms: every switchable-pattern capacitor mic has used that particular technology since the mid-1930s! There are several actions that could trigger this block including submitting a certain word or phrase, a SQL command or malformed data. In combination, these are designed to provide effective plosive and wind protection, as well as keeping breath moisture away from the capsule. Featuring one of the most innovative cardioid polar pattern microphones that Shure has developed to date, the Dualdyne cartridge of the . The KSM9 is a premium vocal condenser microphone that captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility, and precise vocal reproduction for live performance. The lows are being naturally rolled off to avoid that unwanted mud and boominess. In contrast, the dual-diaphragm capsule achieves a superior cardioid polar response and on-axis frequency response for close (nearfield) sources. Shure KSM8 Shop now at Amazon. When you have other instruments in close proximity and you just want the sound of the voice, its best to sing or speak directly into the mic. Also, what's your use case, as this will probably help us guide you towards to best choice! Dual-diaphragm technology has important benefits for vocal work, which is why virtually every studio vocal is conventionally recorded with a dual-diaphragm (capacitor) mic. KSM8 in Nickel (G50) KSM8 in Black (G50) KSM9HS (G50) SM87 (G50) SM86 (G50) And don't forget about the optional SB900A rechargeable lithium-ion batteries . Shure's KSM8 has been custom-made for live vocal reproduction, providing the near-exact sound of your voice through a PA or recording desk. It may not display this or other websites correctly. So, are there any downsides? Check out the Shure KSM8 here: to Sweetwater: Most industry standard desks or interfaces are capable of providing phantom power, which is sent through the XLR cable to the microphone. Virtual elimination of proximity effect allows a much larger working range, which translates into a far more consistent sound regardless of mic technique (or its absence!). Firstly, good live condenser mics, such as the KSM9 have internal shock mounts. Pressure-operated capsules have no proximity effect at all, of course, and consequently the dual-diaphragm capsule has a greatly reduced proximity effect for very close low-frequency sound sources. Together we are over 500 exceptionally creative and talented specialists working from design studios, research labs, and engineering centers across Europe and the US. Web site designed & maintained by PB Associates & SOS. I also noticed how the mic bodys tapering shape and weight distribution automatically guides a natural hand position well away from the grilles rear entry ports. The Shure KSM9 is a fairly standard size and weight for a handheld stage mic. The Shure KSM9 can switch between two different polar patterns: cardioid and super-cardioid. Both patterns arestandard and both can be as useful in different situations. Q. KSM8. Both mics respond exceptionally well to lead vocals, with each having its subtle nuances and flavorings that are sure to deliver the goods in many different applications hear it for yourself! Shure KSM9 vs Sennheiser E965 for Vocals. The KSM9 boasts a wide frequency range from 50 Hz to 20,000 Hz. All rights reserved. Leveraging trend, user research, and other data, we turn ambiguity into clarity, define organizing principles, and chart trajectories for product offerings, brands, and businesses. suggested Neumann KMS 105 Sennheiser e 965 Shure KSM8 Shure KSM9HS Shure Beta 87A Shure Beta 58A Shure SM57 Sennheiser e 835-S Sennheiser e835 Sennheiser e 835. Learn More. Because of this, Shure KSM9 is much easier to use when there are other singers or instruments on the stage. It offers a frequency response of 20Hz-20kHz and a maximum SPL of 150dB. Thank you for your request. Therell be less of the proximity effect, and the mic will pick up more sounds from other instruments, and the acoustics of the room. 27 Wormwood St The new technology allows for cleaner, more natural, and more prevalent vocals, especially when on stage with other instruments. If the grille becomes damaged or deformed, please contact Shure's Service Department for a replacement. The mic has a dual-diaphragm design that allows it to capture both the low and high frequencies of the voice, resulting in a natural and balanced sound. For noisier setups, the tighter supercardioid pattern does a good job of rejecting off-axis noise, which reduces feedback and stage bleed. One of the very latest advances was introduced by American microphone manufacturers Shure at the Winter NAMM show at the start of this year, in the form of the worlds first dual-diaphragm dynamic handheld microphone, the KSM8. Developments in powerful, rare-earth magnetic materials have helped a lot here, and the KSM8 uses a Neodymium magnet in a micro-injection mould of aerospace SoftMag material (whatever that is!) Shure: KSM8 & KSM9 Microphones. The entire midrange, which corresponds for vocal and most instrumental sounds is precise as never before. Shure Tech Portal open_in_new. The last mic in our guide is the absolute gold-standard option when it comes to world-class live vocal capture - the KSM9. Consequently, the polar pattern will have a deep rearward null, and we call that a cardioid response. From a practical perspective, with virtually no proximity effect the on-axis sound character doesnt change with source distance, so the performer enjoys a much larger and more consistent sweet spot. It is also nice to admit the technological advancements implemented in this unit. Condensers offer a brighter, more detailed sound, which is more faithful to the human voice. Aside from singers, weve seen it working foracoustic artists too, for example guitar players etc. This item: Shure RPW174 KSM8 Dualdyne Wireless Capsule for Shure Transmitters. #Sweetwater #Shure This model is renowned and remains a favorite choice of many musicians. Depending on your style, it may require some minor adjustments to your pronunciation, but in the end it is still more forgiving than a condenser. I own a SM7b and want a mic with similar quality for when I feel like holding the mic and being free. Mylar is a registered trademark of E.I. Over 90 years of audio experience has contributed to making this one of the finest microphones available. Meet the KSM8 of house Shure, Inc., the Valyrian steel sword in my arsenal. Many singers love its ribbon-like feel, and although it may turn out beneficial for screaming or growling with a metal band, in your case, for a clean vocal you may need a brighter mic, so that it can cut through a dense mix more easily, such as KSM9, which also offers supercardioid mode for improved rejection, as long as you fix it on a stand and dont move around much. is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon. (source: Section 5), Specification of Neumann KMS 105 Microphone, Neumann KMS 105 MT Condenser Microphone, Super-Cardiod,Matte Black, Sennheiser e935 vs e945 Microphone Comparison, Telefunken M80 Review: Features, Pros, And Cons, MXL 990 Review: Microphone Features, Performance, Pros & Cons, Top 5 Best Microphone for Recorder in 2023, The Best Microphones and Headphones for Online Gaming, Highly detailed condenser mic for demanding on stage applications, Robust metal housing reduces handling noise, Includes stand mount and padded nylon bag. A Sweetwater Sales Engineer will get back to you shortly. Ultimately the Shure KSM9 and Sennheiser E965 are two very similar microphones. She will be using IEM with this mic. Shure KSM9/CG Dual-Pattern Condenser Handheld Vocal Microphone. In Summary. As a condenser mic, the Shure KSM9 requires phantom power. However, there is a small amount of sensitivity at the rear of the mic (called a rear lobe). Theres no on/off switch on the KSM9 or any of the Shure KSM range. The KSM8 retails for a couple of hundred dollars cheaper than its condenser counterpart, and is aimed at a slightly different consumer bracket. The switchable polar pattern also gives you that extra control to tailor your sound to the vocalist and the environment. Its a departure from their simply constructed dynamic live mics. I haven't tried the sennheiser but I can tell you my experience with the kms105 and the ksm9(the ksm8 is a dynamic). Shure KSM9 Cardioid and Supercardioid Condenser Mic. The Neumann KMS 105 and the Shure KSM9 are both great microphones, but the Neumann kms 105 is the better microphone. By 1967 Electro-Voice had improved the concept and the RE15 model was the first with Continuously Variable-D technology. KSM9 is a top line mic and I assure you its pretty tough the capsule is well protected, and if dropped, the internal suspension can easily handle the shock. The KSM8 is Shure's dual diaphragm dynamic, and as such not a condenser. A dual-diaphragm design helps to reduce the proximity effect, and evens out the frequency response throughout the vocal range. The microphones sensitivity is given as 1.85mV/Pa, which is comparable with most other stage mics an SM58 has a sensitivity of 1.88mV/Pa, for example, making it less than 0.2dB louder. It is made from high-quality components, which ensures that it delivers excellent sound quality. The diaphragm at the top of the capsule is a conventional active diaphragm with an attached coil of wire suspended behind it and sitting within a strong magnetic field. Shure are one of the industry leaders in vocal microphones. The Shure KSM9 is a fairly standard size and weight for a handheld stage mic. Reviewed by: Paul NarangReview date: October 2022Current price: Around $500. We have always believed these are the ingredients that inspire and shape real results for businesses and brands. The idea is that sounds from the rear take the same amount of time to reach the rear of the diaphragm through the labyrinth as they do to pass around the outside of the microphone and impact on the front of the diaphragm. Theyre reliable, and lots of them sound great. XLR cables are the only cables capable of carrying phantom power to the mic.
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